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・ Chantelle Brader
・ Chantelle Ducharme
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・ Chantelle Fiddy
・ Chantelle Handy
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・ Chant (Benedictine Monks of Santo Domingo de Silos album)
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・ Chant (Donald Byrd album)
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Chant de Linos
・ Chant des Partisans
・ Chant Down Babylon
・ Chant du départ
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・ Chant No. 1 (I Don't Need This Pressure On)
・ Chant royal
・ Chantabbai
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Chant de Linos : ウィキペディア英語版
Chant de Linos

Chant de Linos is a work for flute and piano written by French composer André Jolivet in 1944 as a commission for a Paris Conservatoire competition which was subsequently won by Jean-Pierre Rampal.:〔(Musicweb-international.com CD Review, Dominy Clements )〕 He transcribed it for flute, violin, viola, cello and harp the same year.〔(IRCAM data sheet )〕〔(Allmusic.com, Description by Joseph Stevenson )〕 The piece has since become a staple of the modern flute repertoire.〔''Sarah Louvion : Œuvres pour flûte de Jolivet, Bauzin, Roussel, Ibert'' - Farao Classics CD (2008) - liner notes "Chant de Linos d'André Jolivet composé en 1944 et depuis une pièce phare du répertoire moderne pour flûte".()〕〔(Recital Program Notes, Danielle Priest )〕
Both versions last about 10 minutes.〔
==Overview==
Jolivet's musical ambition was to
Ancient myths from around the world were one of his sources of inspiration. Thus, ''Chant de Linos'' is based on the mythological musician Linus, who taught music to Orpheus and Heracles.〔 Jolivet described the work as an ancient Greek mourning chant consisting of laments interspersed with cries and dances.〔〔 In the work, the laments are usually in 5/4 while a strongly accented ostinato in 7/8 sets the dance sections apart.〔
The piece is based on an archaïc sounding modal scale (G, A flat, B, C sharp, D and F).〔 Although it is in one movement, it comprises several parts. After the improvisatory introduction, there are four main sections with variations, differing meters and tempos. They can be sketched as follows〔''André Jolivet's Chant de Linos (1944): A Sentential Analysis, Thesis by Bryan Arthur Guarnuccio, Graduate College of Bowling Green
State University, August 2006. ()〕

*Section A – slow in 5/4
*Section B – moderate in 3/4
*Section C – fast in 7/8
*Section D – moderate in 7/8.
The overall structure is AB A’B’ CD A’’B’’ C’.〔
The work displays a wide range of techniques including flutter-tonguing, extreme dynamic changes, and irregular phrases.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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